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Weekly Recap

The Witch Who Came In From the Cold is live!!! Read or listen to Episode 1 FREE right now:

coldwitch

New Releases of Note

 

Cover Reveals

 

On the Internet

The 2015 Diversity in Publishing survey is out and, to no one’s surprise, publishing is overwhelmingly the domain of straight white women. Why does this matter? For starters, it reflects the extent to which low salaries, unpaid internships, stringent educational requirements and more serve to limit access to publishing jobs. Then it leads to in-group bias in editorial decisions and acquisitions–straight white women tend to favor books written by and about straight white women, and can be shockingly blind to insensitivities and offenses in the work they choose to promote. That’s how we get multiple children’s books featuring smiling slaves and the parade of unending Nazi romances, just to point to a few recent examples. Readers and writers can and should do more to promote the diverse voices among us–actually promote, as in buying books and boosting others’ voices instead of talking over/for them–but publishers need to take a long, hard look not only at their own editorial board but at their hiring practices and recruiting process. Daniel Jose Older has more, especially on the tendency to confuse the calls for better representation with censorship.

 

Heather Webb on time management for writers.

Kameron Hurley gets righteous about publishing contracts, including my oh-so-despised non-compete clause.

 

In Writing

  • Revisions on A Darkly Beating Heart. Lots and lots of revisions. With more to come.
  • Final chapters outlined for rhymes-with-“fey hairwolves.” Now, to have free time to finish drafting it . . . !
  • Long potential career path chats with a friend, leading to settling on next project.
  • Freelance work.

As it’s the end of January, I’ll give my monthly writing total, which is also my yearly total for 2016: 29,107 words. Ugh. Ew. Yuk.

January and February are historically my worst months for word counts. Aside from the fact that I always seem to be in the midst of substantive edits for contracted books in January (and this year is no exception), thus taking away from my drafting time, I do seem to struggle with seasonal affect during this time. The post-holiday malaise is real, too, and my motivation bottoms out around this time. I know, however, that once I turn in ADBH revisions, I will feel so light and ecstatic. As I’m aiming to do so in one week, I’m going to grit my teeth, get through my final pass, and then look forward to joyous, joyous drafting for the rest of February.

Therefore, I am setting my February word count goal for 45,000 words.

 

Events!

I’ll be at New York City Teen Author Festival in March!

An Evening of Treachery at McNally Jackson

Mega Book Signing

 

I’ll also be at Northern Virginia Teen Book Festival and the Tyranny of Petticoats Launch Party earlier in March.

 

 

What I’ve Been Reading

 

 

How was your week in reading and writing? What are you planning for February?

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The Witch Who Came In From the Cold Launches Today

 

Guys, I am so excited. Today marks the series premiere of The Witch Who Came In From the Cold, an episodic storytelling journey several years in the making. When Max Gladstone and Julian Yap, the founder of Serial Box, first approached me about participating in a serialized story, I was already way on board, but then they started describing the particular project they had in mind: Witches. Espionage. Cold War. Secret magical wars. All my happy-makers. “Of course,”  they said, “we still need some help shaping the villains . . .”

Fast forward several hundred email brainstorming sessions and one epic, gourmet food-filled weekend encamped in Julian’s condo with Max, Ian Tregillis, and Cassandra Rose Clarke, plus the far-too-cool Margaret Dunlap to help coach me on the showrunning process. I’m absolutely amazed by how well this season has come together. In some instances, we all seemed to go through a mind-meld where we independently converged on the same plot points. In others, each author concocted something truly magical and witchy totally on their own that none of the rest of us could have possibly devised. Max’s sense of worldbuilding and wit; Ian’s precise, devastating language and atmospheric sorcery; Cassandra’s killer dialogue and careful characterizations. I love every single episode, and can’t wait to see where we head with Season 2.

From the creators of some of today’s most ingenuitive fiction comes this online serial in 13 weekly episodes. Lead Writer Lindsay Smith (Sekret and Skandal) brings her experience writing on foreign affairs in DC to bear at the head of the writers’ room comprised of Ian Tregillis (the Milkweed Triptych), Cassandra Rose Clarke (Our Lady of the Ice), Max Gladstone (Bookburners and the Craft Sequence), and Michael Swanwick (Stations of the Tide).

While the world watches the bitter rivalry between East and West fester along the Iron Curtain, the Consortium of Ice and the Acolytes of Flame continue waging their ancient war of magic. Kept to the shadows, this secret contest crosses the lines of politics and the borders of nations with impunity – the intrigues of spies may know clear sides but the battles of witches spill out over all. Tanya Morozova is a KGB officer and the latest in a long line of Ice witches and sorcerers; Gabe Pritchard is a CIA officer and reluctant Ice recruit. Enemies at one turn, suspicious allies at the next, their relationship is as explosive as the Cold War itself.

The first season is ready to launch, and Serial Box is giving away the pilot free. If you love it, then you can subscribe via the Serial Box app to get the weekly episodes delivered directly to your device of choice (audio, too!). Or you can purchase each episode individually on Amazon and iBooks. And each week, we’ll continue the conversation on the Serial Box blog with behind-the-scenes intel and much more.

From the ashes, friends . . .

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